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He exhibits widely and his work is included in such significant museum collections as Mo MA New York, The Stedelijk Museum, Amsterdam, and the V&A Museum, London.

Wanders has further published numerous books and is extensively profiled in the global media, appearing in such publications as the New York Times, Domus, The Financial Times and Wallpaper Magazine.

Many everyday wares were made: tiles, mugs, drug jars, dishes, wine bottles, posset pots, salt pots, candlesticks, fuddling cups (that is, ale mugs joined in groups of three, four or five with connecting holes to confuse the drinker), puzzle jugs (similar to fuddling cups), barber's bowls, pill slabs, bleeding bowls, porringers and flower bricks.

Dating delft blue

The main centres of production were London, Bristol and Liverpool with smaller centres at Wincanton, Glasgow and Dublin.

English tin-glazed pottery was called "galleyware" and its makers "gallypotters" until the early 18th century; it was given the name delftware after the tin-glazed pottery from the Netherlands, which it often copied, but "delftware" is not usually capitalized.

Encompassing all the qualities of the traditional craftsmanship yet captivating a totally contemporary aesthetic.

GO TO PRODUCT PAGE by Marcel Wanders by Marcel Wanders A soft, puffy and stylish chair as symbol of the eternal battle between opposite forces that take place in life and can be easily recognized inside ourselves, if we have the courage to open our eyes.

New refers to a brand-new, unused, unopened, undamaged item, while Used refers to an item that has been used previously.

English delftware is tin-glazed pottery made in the British Isles between about 1550 and the late 18th century.

Large decorative dishes, often called chargers, were popular, and included much of the most ambitious painting, often stretching the artists to the edge of their capabilities, and beyond. there is a relaxed tone and a sprightliness which is preserved throughout the history of English delftware; the overriding mood is provincial and naïve rather than urbane and sophisticated." Its methods and techniques were simpler than those of its continental counterparts.

English delftware pottery and its painted decoration is similar in many respects to that from Holland, but its peculiarly English quality has been commented upon: ". English tin-glaze potters rarely used the transparent overglaze applied by the more sophisticated Dutch and Italian potters.

By combining the techniques of Paper Mache and paper pulping he creates a lamp with a strong structure and incredibly light...

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