Further, according to Warhol, Blue Movie was a major influence in the making of Last Tango in Paris, an internationally controversial erotic drama film, starring Marlon Brando, and released a few years after Blue Movie was made.
Warhol explained that the lack of a plot in Blue Movie was intentional: "Scripts bore me. I just like everybody and I believe in everything." According to Viva: “The Warhol films were about sexual disappointment and frustration: the way Andy saw the world, the way the world is, and the way nine-tenths of the population sees it, yet pretends they don’t.” Andy Warhol described making Blue Movie as follows: "I'd always wanted to do a movie that was pure fucking, nothing else, the way [my film] Eat had been just eating and [my film] Sleep had been just sleeping.
This was, after all, a book about people walloping one another for sexual kicks.
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It's much more exciting not to know what's going to happen. If you see a movie of two people talking, you can watch it over and over again without being bored. We took a tour of Universal Studios in Los Angeles and, inside and outside the place, it was very difficult to tell what was real. So in October '68 I shot a movie of Viva having sex with Louis Waldon.
You get involved – you miss things – you come back to it ... Years ago, people used to sit looking out of their windows at the street. They would stay for hours without being bored although nothing much was going on. I called it just Fuck." The film itself acquired a blue/green tint because Warhol used the wrong kind of film during production.
Shortly thereafter, other adult films, such as Deep Throat, Behind the Green Door and The Devil in Miss Jones were released, continuing the Golden Age of Porn begun with Blue Movie.
In 1973, the phenomenon of porn being publicly discussed by celebrities (like Johnny Carson and Bob Hope) Later, in 1976, The Opening of Misty Beethoven, based on the play Pygmalion by George Bernard Shaw (and its derivative, My Fair Lady), and directed by Radley Metzger, was released theatrically and is considered, by award-winning author Toni Bentley, the "crown jewel" of the Golden Age of Porn.
The film-makers worked harder still to strip the sex scenes of even the faintest hint of grime or danger. I’m all for testing limits, but you put yourself at risk last night,” Jamie Doran says to Dakota Johnson. All this would have come as a terrible shock to the (largely male) sexual taste-makers of the 1970s.
In the aftermath of the previous decade’s social revolution, a belief emerged that, freed of repression, consumers would now soak up pornography with the uncomplicated glee they brought to baseball or soap operas.
Which reminds me - there's no male frontal nudity in this picture.
I had my umpire's clicker in my hand and everything, and it read "0." Sorry, ladies.
But you can't see the same movie over again if it has a plot because you already know the ending ... This is my favorite theme in movie making – just watching something happening for two hours or so ... He used film meant for filming night-scenes, and the sun coming through the apartment window turned the film blue.
Viva, in Paris, finding that Blue Movie was getting a lot of attention, said, "Timothy Leary loved it. He said I was better than Vanessa Redgrave and it was the first time a real movie star had made love on the screen. I think movies should appeal to prurient interests.
Near the film's conclusion, Christian asks Ana, with as much playfulness as a calcified simulacrum of a human male can muster, "What am I going to do with you?